I create images that capture what often goes unnoticed. With a background in journalism and film, my approach is grounded in curiosity, observation and human connection.
How it started
In February 2020, I decided to start my own business, full of energy and ready to take on the world as a filmmaker.
About a month later, the world suddenly stopped. The lockdowns hit right after I began, and nearly all my assignments disappeared overnight.
Instead of waiting it out, I decided to learn something new. I taught myself animation so I could keep creating from home, without depending on shoots or teams. That period taught me a lot about adaptability and storytelling in different forms and to my surprise, it went really well. I worked on several animation projects for clients and discovered how much I enjoyed combining creativity with independence.
When things slowly opened up again, I returned to filming and started to rebuild my freelance practice. Along the way, I picked up my camera more often, first as part of video projects, then increasingly as my main focus. I realised how much I loved the directness of photography: being present and capturing something real in a single frame.
A last-minute assignment at Radio 2 turned out to be a turning point. They noticed my work, and soon after, started inviting me for more events and productions. That was in 2021 and from there, things really started to roll.
Today
Since then, I’ve worked with cultural organisations, media and brands that share my curiosity for people and their stories. My work ranges from festivals and events to portraits, branding projects and editorial assignments always with a focus on authenticity and atmosphere.
What I love most about photography is its mix of intuition and connection. It’s about being fully present, noticing the small things, and translating them into images that feel alive.
Whether it’s a crowded stage or a quiet moment backstage.